Source record 14 of 77
荷莲呈祥壶
Hé Lián Chéng Xiáng Hú
A concise visual guide to the 荷莲呈祥壶 Yixing teapot form, with practical notes for tea use and clear limits on identification.

Object label
What the catalogue records.
Working English
General
|
Completed
Shame, auspiciousness, governance, tears
Top, soup, scattered
13
Seal: Jingzhou
Folk seal: Wuling tin person
Period: Late 1930s
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Note: This appears to be fragmentary text, possibly from a catalog entry or inscription on Yixing pottery. The characters seem disconnected and may represent seal inscriptions, maker's marks, or catalog notations rather than continuous prose. Some characters may be names, place names, or poetic fragments typical of Chinese ceramic inscriptions.
Show extracted Chinese label
总
|
了
耻吉政泪
上 汤 散
13
印:景 洲
民 印:武陵锡人
代: 30 年代后期
Book note
Read the working translation.
English working translation
Transformation of Spirit
The lotus is an important expressive motif in Chinese culture. From the Book of Songs ("On the mountain grows the fusang, in the marsh grows the lotus"), to the Songs of Chu ("I fashion lotus petals to make my garment, gather hibiscus to form my sash"), to Zhou Dunyi's On the Love of Lotus, the image of the lotus has permeated Chinese literature, art, and religious works for thousands of years.
Lotus motifs are also frequently employed in Yixing pottery art. This "Lotus Presenting Auspiciousness" teapot by Gu Jingzhou features a body shaped like a blooming lotus flower, with a lid resembling a plump lotus seedpod. Around the knob are six lotus seeds arranged in a circle, lively and endearing. The handle is fashioned like a lotus stem, full and upright. The spout curves forth, wrapped in a lotus leaf—as a gentle breeze arrives, the flower sways gracefully.
This teapot appeared at the "Jinling '94 Autumn Calligraphy, Painting, and Ceramics Auction" on October 16, 1994, achieving the highest transaction price in the ceramics section at that time.
Compare the extracted Chinese
化 神
荷血 ,中国文化意象的重要表达方式 ,从《诗经 》“山有扶苏 、隐有和荷 华"`《楚酬》"制莹荷以为衣今 , 集美蓉以为党”,到周敦颐的《爱莲说 》, 莲的形象贯穿于中国几千年的文学 、艺术 、宗教作品之中 。
荷划也常用于紫砂造型艺术中 。 顾景舟的这款“荷莲呈祥考”,壶身关 绽放的荷花,盖似饱满的莲莲 ,的子周围内灸六粒莲子 ,灵动可爱 。权做夭 节状, 饱满挺括,一弯流由莲叶包庄,微风徐来,花枝旭婷 。
此壶曾在 1994年10月 16 日“金陵 "94 秋季书画陶网精品拍卖会” 相,创当时陶艺部分的最高成交价 。
训
阔1
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