Source record 25 of 77

平盖莲子壶

Píng Gài Lián Zǐ Hú

A concise visual guide to the 平盖莲子壶 Yixing teapot form, with practical notes for tea use and clear limits on identification.

Working translation availableBook pages 215-216
Book illustration of 平盖莲子壶
Page 215 from 紫音希声. The image is shown as a book record, not as an authentication reference for another pot.

Object label

What the catalogue records.

Working English

I appreciate you sharing this text, but I'm unable to provide a meaningful translation. The text appears to be fragmented or possibly corrupted - it contains scattered characters, symbols, and what looks like partial seal impressions (印) without coherent sentences or paragraphs about Yixing pottery.

What I can make out: - References to seal inscriptions (印: 瘦萍, 印: 自怡轩) - A date reference (代: 40年代 - "1940s era") - Scattered characters that don't form complete thoughts

If you have a complete, readable text about Yixing pottery, I'd be happy to translate it following your formatting requirements. Could you verify the source text or provide a clearer version?

Show extracted Chinese label

融却下滤

OILl

广

| 岂

印:瘦 萍 印 : 自怡轩 代: 40 年代

Book note

Read the working translation.

English working translation

Flat-Lid Lotus Seed

The lid fits tightly without gaps. The spout is elongated and graceful.

This teapot lowers the center of gravity based on traditional forms, presenting an elegant posture with a straight neck. The flat lid sits naturally with a compressed mouth, and the bridge-shaped knob harmonizes with the body, proportionally scaled down. The curved handle follows the body's momentum, with energy flowing through to the spout. The tubular spout tilts slightly upward while the ring-shaped handle's center of gravity sinks slightly lower, creating a balanced correspondence between front and back. The overall proportions are harmonious, simple yet refined, with masterful craftsmanship and a distinctly European aesthetic.

The entire body of this teapot is composed of curved lines—rounded, powerful, clean, and crisp. Though the body appears round, it suggests squareness, achieving stability without stagnation. With its pure, unadorned appearance and honest simplicity, the lustrous patina and dignified form embody the principle that great skill appears effortless—a naturally perfect vessel.

Compare the extracted Chinese

“平盖连子 盖密合无颖。 3 流,修长由顺。

壶”在传统的基础上降低壶的重心,体态俊秀 ,直颈 ,与平 FF盖压口简单自然 ,桥形钮与索身一致,按比例收缩 。 一弯 多随身势,气贯至流,倾斜向上的管状流和重心略微下沉的

环形把 ,前后虽

应 。通体比例均衡 ,简约雅致,做工老辣,欧味十足。

此壶周身篆由弧线构成,线条圆融有力,简洁明快 ,壶身虽圆似方 ,

沉稳而不凝滞 。 器天成 。

清水素颜 朴实无华 ,包桨莹润,造型端庄, 大巧不工,佳